Exploring the Complexities of Sekhar Kammula's Kuberaa

A Unique Narrative Experience

Sekhar Kammula’s film Kuberaa (Telugu) presents a unique narrative that captivates the audience until the very end. However, its three-hour runtime may feel excessive, particularly as the story unfolds towards a chaotic climax involving the ambitious antagonist Neeraj Mitra, portrayed by the talented Jim Sarbh, who is keen to showcase his acting prowess.

In this film, the two lead actors, Nagarjuna and Dhanush, do not engage in a direct rivalry. Viewers expecting a tense showdown between these two prominent stars might find themselves disappointed. Instead, both actors take on supporting roles; one as a disillusioned ideologue and the other as a misguided power broker caught in an unfavorable situation.

Both Nagarjuna and Dhanush deliver their performances with subtlety, despite the script's intention for a more dynamic portrayal. Dhanush, in particular, has a more engaging role as a beggar ensnared in a luxurious scam.

Much of the film follows Dhanush’s character, Deva, as he evades unscrupulous con artists, including Nagarjuna, who eventually undergoes a transformation from principled to self-serving.

Co-writer and director Sekhar Kammula infuses the narrative with themes of capitalism and the struggles of the underprivileged, while also ensuring a sense of crowd-pleasing entertainment.

The inclusion of Rashmika Mandana's character raises questions about the necessity of a traditional heroine in the story, especially since the other two female roles are underdeveloped.

Mandana plays a character reminiscent of Kareena Kapoor's role in Jab We Met, leading to an awkward and rushed relationship with Deva, marked by her dismissive remarks.

Ultimately, Kuberaa left me with a feeling of unfulfilled potential. While it could have achieved more, it remains a noteworthy film. The cinematography by Niketh Bommireddy enhances the viewing experience, but the screenplay occasionally falters, introducing superfluous characters that detract from the main narrative.