Penguin Random House India Introduces 'Penguin Eight' for Northeast Literature

Penguin Random House India has launched 'Penguin Eight', a new imprint focused on the literary and cultural richness of Northeast India. This initiative aims to provide a platform for both emerging and established writers, with plans to publish around six titles annually across various genres. The imprint's name reflects the eight states of the region, and its logo symbolizes the natural beauty of Northeast India. Executive editor Deepthi Talwar highlights the importance of inclusivity in literature, making this imprint a significant step towards amplifying Northeast voices in mainstream publishing. Submissions are currently open for authors interested in contributing.
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Penguin Random House India Introduces 'Penguin Eight' for Northeast Literature

Launch of Penguin Eight Imprint


Guwahati, July 3: Penguin Random House India has officially launched a new imprint named ‘Penguin Eight’, aimed at showcasing the cultural and literary diversity of Northeast India. This imprint will feature works from both new and established authors, focusing on narratives that capture the region's complexities, histories, and voices.


According to a statement, the initiative aims to establish a sustainable platform for high-quality literature that resonates with the unique realities and experiences of the Northeast. The name 'Penguin Eight' is inspired by the eight states that make up this region. Initially, the imprint plans to publish around six titles each year, covering a variety of genres including fiction, non-fiction, memoirs, poetry, history, politics, and folklore.


During the launch, Penguin Random House India also revealed the new logo for Penguin Eight, crafted by designer Aakriti Khurana. The logo reflects the natural beauty of the Northeast, symbolizing growth, rootedness, and fresh beginnings.


Deepthi Talwar, the executive editor at Penguin Random House India, emphasized that with Penguin Eight, they are making a conscious effort towards editorial inclusivity, ensuring that literature from the Northeast gains a prominent and dedicated space in mainstream publishing. Drawing from her experiences at TheWhite Owl Literary Festival in Dimapur, she noted that this imprint is a result of engaging discussions with readers, authors, and intellectuals from the region. The imprint is open for submissions, aiming to curate a collection that is both accessible and lasting.


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