Nandita Das and Randeep Hooda Share Insights at Cinevesture International Film Festival

Nandita Das: A Journey of Reluctance and Passion

Nandita Das describes herself as both a hesitant actor and director. The film industry poses significant challenges, leading her to promise herself after each project that she won't return. Yet, compelling stories draw her back into the limelight, allowing her to embody characters and craft narratives that resonate deeply with her. During the second edition of the Cinevesture International Film Festival, she reflected on her artistic journey.

Her entry into acting began with Deepa Mehta's bold film, Fire, in 1996. With over 40 films across ten languages, she has consistently challenged societal norms. When asked about acting in a foreign language, she admitted, "It's quite tough. I often have the entire script translated into Hindi, which helps phonetically. However, after each project, I tell myself it's the last time. I recently worked on a Telugu film but vowed not to take on another unfamiliar language project."

Having directed three films, she is gradually finding her footing in this role. "I've come to terms with the fact that this is what I love to do," she expressed.

Her debut film, Firaaq, released in 2008, was a response to the aftermath of violence in Gujarat. "Today marks 17 years since Firaaq's release. It explores the emotions of anger, guilt, and aimlessness following violence," she noted, encouraging viewers to watch it for free on YouTube.

Ten years later, she directed Manto, which tackled contemporary issues through a historical lens. The preparation for this film, focusing on one of the most controversial writers of his time, was so daunting that she nearly abandoned it the night before securing funding. "I felt overwhelmed, but now I’m glad I persevered," she reflected.

The pandemic inspired her next project, Zwigato, which began as a short story and evolved into a feature film starring Kapil Sharma. "I hadn’t seen his show but was impressed by his hosting with Karan Johar, which led me to cast him," she explained. Despite warnings about her choice, she enjoyed the collaboration with both Kapil and Shahana Goswami, praising their authenticity and generosity as actors.

Nandita has frequently addressed stereotypes in the film industry, noting that being a female director was rare when she started. "While mainstream cinema still grapples with stereotypes, OTT platforms have created new opportunities," she observed. Although she feels progress has been slow for women in leadership roles, she believes they are making strides. "Having women lead projects brings a unique and important perspective," she added, ensuring that multiple women oversee various departments in her films.

Randeep Hooda: A Masterclass in Self-Love

The atmosphere shifted when Randeep Hooda entered the hall, not due to his stature but because of his genuine energy. At the Cinevesture International Film Festival, he shared his journey into acting, directing, and producing, delivering both humor and wisdom.

Dressed in a stylish white and grey suit paired with white sneakers, he entertained the audience while imparting lessons on self-acceptance. He reminisced about his first cinema experience with his grandmother, who, despite not knowing English, was a devoted fan of Bold and Beautiful.

Since his breakout role in Monsoon Wedding, Randeep has impressed audiences with his remarkable physical transformations. Although he enjoyed acting, circumstances led him to direct. He humorously compared the roles, saying, "Being an actor is like being a son-in-law, everyone is asking if you want juice, while the director is like the father of the bride."

When he began directing Swatantrya Veer Savarkar, he faced skepticism from his crew, who initially doubted his authority. However, he soon found his footing, confidently directing the film. "I’m not one to watch myself on screen, but I did see Savarkar, and the audience's standing ovation was unforgettable," he shared.

Randeep candidly discussed his regrets, including turning down films like Rang De Basanti due to misguided advice. He reflected on the challenges he faced while preparing for Saragarhi, where he trained extensively for a project that ultimately never materialized. "That experience remains my biggest regret," he admitted.

Looking ahead, he is working on an action film that he plans to write, produce, and direct, humorously stating, "In search of a good actor, I’ve decided to cast myself," which earned him another round of applause.

Honey Trehan: Overcoming Challenges in Filmmaking

Filmmaker Honey Trehan shared his experiences with the release of Punjab ’95, detailing the hurdles he faced, including title changes and extensive cuts. He expressed frustration over the obstacles to international release, questioning the limits of freedom of expression. "Give me a reason for not letting it release; it is acknowledged by law. Threats to my producer from higher authorities are unacceptable," he stated.

Despite these challenges, Trehan remains determined, asserting, "I made this film for the audience and will ensure everyone has the opportunity to see it."