Exploring Marital Rape Through Storytelling: Divya Nidhi Sharma's Chiraiya

A Bold Narrative on Marital Rape

Addressing the serious issue of marital rape requires a thoughtful approach. Renowned writer and creator Divya Nidhi Sharma aimed to craft the series Chiraiya, now available on Disney+ Hotstar, as a compelling narrative that serves as a voice of resistance rather than one of victimhood. A notable line from the series states, 'Kranti dabe paaon rasoi mein billi ki tarah aati hai,' highlighting a powerful social commentary that is both subtle and impactful.

Sharma reflects on the cultural significance of dialogue, stating, 'No country has such a deep connection with spoken words. Dialogues become part of our daily expressions.' He recalls advice from Nikkhil Advani during the production of the acclaimed Freedom At Midnight, where he was encouraged to write dialogues in the style of Salim-Javed without delving into historical speeches. Writing for iconic figures like Gandhi, Patel, and Nehru added pressure, as he explains, 'While it's essential to humanize them, one misstep could disappoint both the audience and the artist within.'

Discussing the sensitive topic of Chiraiya, which courts often shy away from, he shares, 'Concluding the story was challenging since there are currently no legal remedies available. Thus, we turned to family dynamics for resolution, emphasizing the need for better upbringing of sons or correcting their paths if they stray.'

While Chiraiya conveys a significant message, Sharma believes cinema alone cannot transform society, stating, 'That's a monumental expectation. Our goal is to create a ripple effect.' He hopes that if the series can influence even one boy in rural India to rethink his views, their mission will be accomplished. In response to critics questioning the series' aesthetic, he asserts, 'We are not creating content for Sundance; our focus is on reaching the woman in Meerut and the girl in Lucknow.'

Having grown up in smaller towns, Sharma understands the mindset of these communities and the allure of cinema. He admits, 'I have a deep-seated passion for cinema, particularly the commercial masala films.'

He does not view mass appeal negatively, noting, 'If writers haven't received their due, they share some responsibility. The industry recognizes only success, and writers must strive to create hits.' However, he maintains that he will not compromise on quality. While others may debate political issues in entertainment, his primary concern is gender politics, stating, 'Films succeed despite misogyny, not because of it.' He emphasizes that while he would write a submissive character, he would never portray her as an ideal. In Chiraiya, the protagonist Kamlesh, played by Divya Dutta, begins with outdated beliefs but undergoes significant transformation.

Sharma believes that understanding a woman's perspective is not challenging for men, as demonstrated by his strong female characters in series like Anupamaa. He states, 'Emotional connection is integral to any art form.' He argues that patriarchy is not gender-specific, asserting, 'Women do not hold exclusive rights to liberal feminist narratives. It would be limiting if only women wrote women's stories.'

He acknowledges the need for increased female representation across all age groups in the industry, expressing disappointment that not enough roles are being created for women in their forties. He praises Divya Dutta's exceptional performance, stating, 'Divya is underutilized and deserves to lead more projects.'

Sharma's upcoming project, Nai Naveli, will also feature a talented actress, Yami Gautam, and he is set to collaborate with director RS Prasanna soon.

To aspiring screenwriters, his advice is straightforward: 'Read. If you want to be part of Hindi cinema, stay connected to Hindustani, or the language will leave you behind.' His insights resonate with cinematic language, moving with intention and heart, encapsulated in a simple yet profound dialogue: 'Full English bol ke baatayein.'