Celebrating Lakshmipriya Devi's BAFTA Win: A Milestone for Indian Cinema
A Historic Achievement in Film
In 2024, Payal Kapadia made history as the first Indian woman to receive the Grand Prix for her thought-provoking film, All We Imagine As Light. Zico Maitra, one of the film's co-producers, enthusiastically remarked, “The future is female.”
Fast forward to today, Lakshmipriya Devi has brought pride to India with her well-deserved BAFTA win for her Manipuri film, Boong. Zico's words resonate even more as we reflect on the powerful presence of Indian women in cinema. The image of Lakshmipriya, surrounded by three male producers, including Farhan Akhtar, stands as a significant moment in film history, much like the unforgettable image of Payal and her talented cast at the Cannes Film Festival.
Empowering Women's Narratives
In 2025, Anuparna Roy's Songs of Forgotten Trees, supported by Anurag Kashyap, won the Best Director award in the Orizzonti section at the Venice Film Festival. Anuparna emphasized the importance of women sharing their stories and encouraged the ‘second sex’ to express their experiences.
As Lakshmipriya steps into cinematic history, her film Boong transcends mere gender representation. While it does explore themes of patriarchy, particularly through the character of Boong’s mother, portrayed by Bala Hijam, the narrative delves into multiple societal issues.
A Reflection of Society
Remarkably, Lakshmipriya created Boong before her state was engulfed in violence, capturing a snapshot of a time that now feels distant. The film serves as both a tribute to her homeland and a poignant reminder of better days. The casting of Gugun Kipgen, a Kuki boy, in the lead role of a Meitei character adds another layer of significance to the film.
Boong also touches on political themes, subtly addressing insurgency without being overtly political. Unlike many award-winning films, it remains accessible and engaging, enhanced by humor and the performances of child actors. Gugun shines as the lead, while his Marwari friend Raju Agarwal, played by Angom Sanamatum, adds charm, especially in scenes showcasing his business acumen.
Cultural Insights and Challenges
In this heartfelt homage to her roots, Lakshmipriya reveals Boong’s journey, exploring deeper themes and challenging societal norms. She skillfully addresses the insider-outsider dichotomy and critiques the futility of cultural bans.
Despite an unofficial ban on Hindi films in Manipur, the village head is seen enjoying them in private, highlighting the region's unique cultural landscape. Madonna's music weaves through the narrative, enriching the storytelling without disrupting its flow.
A Call to Action for Viewers
For audiences unfamiliar with the North-East, Boong serves as both an eye-opener and a reminder of our limited understanding of our own country. Although it had a modest theatrical run, Lakshmipriya's BAFTA win may pave the way for its return to cinemas or streaming platforms.
When it becomes available for streaming, viewers should watch Boong not just to discover how it triumphed at the BAFTAs, surpassing major films like Zootopia 2 and Disney's Lilo & Stitch, but to gain insight into the state and its people. This beautiful film connects us with the emotional experiences shared by all Indians, prompting us to join Lakshmipriya in her hopes for peace in Manipur. The essence of humanity applies universally, especially to Manipur.