Maharani: A Shallow Exploration of Householder and Househelp Dynamics
An Overview of Domestic Relationships in Maharani
The film can be described as a secondary product, reflecting on the complex and often blurred lines between a household's woman and her valued domestic help. Notable examples include Shabana Azmi's performances alongside Rohini Hattangadi in Arth, and more recently, with Nimisha Sajayan in the OTT series Dabba Cartel.
This week, Jaya Ahsan showcased a nuanced relationship with her househelp, Nirmala Di, portrayed by the talented Anubha Fatehpuria in Aniruddha Roy Chowdhary’s Dear Maa.
However, the Gujarati film Maharani, directed by Viral Shah, fails to reach the heights of these earlier works. National award-winning actresses Manasi Parekh and Shraddha Dangar struggle to establish a believable bond as Mistress and Maid, or more politically correct, Employee and Househelp, as they navigate the fine line between professional boundaries and a sisterly connection.
The script ultimately undermines the efforts of the two leads, despite their intentions. The original Marathi film Nach Ga Ghuma, featuring Mukta Barve and Namrata Sambherao, captured the essence of the householder-househelp relationship much more effectively.
In this lackluster Gujarati remake, the exploration of domestic life is overshadowed by comedic elements, such as Manasi’s quirky boss at the bank, whom she tries to placate with takeaway lunches for her tardiness. Additionally, a tedious scene involving two househelps, introduced by the couple’s mothers-in-law, detracts from the narrative.
What does resonate are Manasi’s frantic attempts to reinstate Rani after dismissing her help. In a climactic moment, she confronts Rani’s new employer, threatening to reclaim her at any cost.
Manasi’s struggle to secure a reliable househelp will strike a chord with viewers. Yet, the film lacks the subtlety and depth needed to genuinely explore the intricacies of domestic life and the importance of nurturing relationships with househelps.
Maharani is not without merit, but it falls short of delving deeply into its core relationship. It resembles a careless househelp who merely dusts the surface before rushing home.