Paresh Kamdar: The Unsung Hero of Indian Independent Cinema
A Pillar of Indian Art Films
The credits of Indian art films often feature a familiar name: Paresh Kamdar. His contributions as an editor, mentor, and supporter have been pivotal in shaping indie films that have gained recognition at international film festivals over the last twenty years.
Kamdar's editing portfolio includes notable works such as Miss Lovely, Ghode Ko Jalebi Khilane Le Jaa Riya Hoon, and I’m Not the River Jhelum. He has also mentored various projects, including Eeb Allay Ooo!, Aise Hee, and Kayo Kayo Colour, among others.
At 67, Kamdar frequently collaborates with younger directors, bridging the gap between promising films and those that are festival-ready and award-worthy. His talent lies in uncovering the deeper meanings of narratives while honoring their unique styles.
A Mentor and Friend
Anuparna Roy, director of Songs of Forgotten Trees, praised Kamdar as a 'guide and friend', highlighting his commitment to the film despite his health challenges. She noted his ability to grasp the personal elements of the story, stating, 'He is an institution – his impact extends beyond my film to indie cinema as a whole.'
Nidhi Saxena, director of Secret of A Mountain Serpent, remarked on Kamdar's selfless dedication, emphasizing that he often works without seeking financial compensation or recognition, making him a rare figure in the industry.
A Journey Through Cinema
Kamdar's editing credits also include Pedro and Tiger’s Pond, where he skillfully shortened Pedro without losing its essence. Director Natesh Hegde commended Kamdar for his ability to maintain the film's soul.
Educated at the Film and Television Institute of India (FTII) in the 1980s, Kamdar has worked on documentaries and directed acclaimed films like Tunnu Ki Tina and Khargosh. He currently teaches filmmaking at Whistling Woods International in Mumbai.
Reflections on His Career
In a recent interview, Kamdar shared insights about his early years and his passion for cinema, which began in a middle-class Gujarati family in Kolkata. He fondly recalled skipping school to watch films, including Where Eagles Dare multiple times.
His journey led him to FTII, where he felt liberated and inspired by the vibrant atmosphere. Kamdar noted that while the curriculum heavily focused on European cinema, it helped him discover new perspectives on filmmaking.
The Evolution of His Craft
After graduating in 1986, Kamdar took on various projects, including documentaries that expanded his understanding of India. Although initially hesitant to move to Mumbai, he eventually embraced opportunities in the city.
Kamdar's directorial debut, Tunnu Ki Tina, premiered at the Berlin Film Festival in 1997, showcasing his unique storytelling style. Despite financial struggles, he continued to work in television and eventually returned to directing with Khargosh in 2009.
A Return to Editing
Kamdar's editing career saw a resurgence with films like Miss Lovely and The Good Road. He emphasizes the importance of aligning with the filmmaker's vision and maintaining the film's rhythm.
His editing philosophy focuses on allowing films to breathe, advocating for measured pacing and silence to enhance the viewer's experience. Kamdar believes that films should not rush but instead allow the narrative to unfold naturally.
The Future of Independent Cinema
Kamdar acknowledges the authenticity and craft of younger filmmakers, even if they lack formal training. He aims to bring a sense of form to their projects, often stepping in when films face challenges.
His contributions to films like Songs of Forgotten Trees demonstrate his commitment to nurturing independent cinema, ensuring that the art form continues to thrive.