Exploring Bonds Across Generations in Kaalidhar Laapata
A Heartwarming Tale of Friendship
The film K.D. (2019), directed by Madhumita, beautifully illustrates the connection between an elderly man and a young boy. In her Hindi adaptation, Kaalidhar Laapata, she narrows the generational divide while maintaining themes of neglect, loss, and new beginnings.
This ZEE5 release stars Abhishek Bachchan, portraying Kaalidhar, a 40-year-old man grappling with early onset dementia. His selfish brothers, Manohar (Vishwanath Chatterjee) and Sundar (Priyank Tiwari), along with Manohar’s wife Neetu (Madhulika Jatoliya), abandon him at the Kumbh Mela, weary of his care.
Only Kaalidhar’s sister Gudiya (Priya Yadav) feels sorrow for a man who has devoted his life to his family and his love, Meera (Nimrat Kaur). Just when hope seems lost, Kaalidhar encounters the spirited orphan Ballu (Daivik Baghela).
Ballu takes Kaalidhar under his wing, urging him to embrace the experiences he has missed. Meanwhile, government official Subodh (Mohammed Zeeshan Ayyub) embarks on a quest to locate Kaalidhar, his intentions as unclear as those of Kaalidhar’s family.
Madhumita, who directs and co-writes the screenplay with Amitosh Nagpal, skillfully manages the film's emotional nuances. The central bond between two marginalized individuals discovering their similarities remains the primary appeal of both the original and its Hindi remake.
With a younger lead, the adaptation must justify its premise more thoroughly. The specifics of Kaalidhar’s condition are ambiguous, and his symptoms do not consistently align with his actions.
Subodh's character feels forced into the narrative, lacking the role of a significant observer in Kaalidhar’s journey. Although Kaalidhar Laapata suffers from a slow pace and fails to capture the everyday struggles of its troubled protagonist, it effectively showcases how love and compassion can surpass familial bonds.
Abhishek Bachchan and Daivik Baghela effectively convey the warmth and respect that blossoms between Kaalidhar and Ballu, with the older man portrayed as vulnerable and lost, while the boy exudes confidence and a playful cynicism.
Bachchan has previously embodied similar downtrodden characters in recent films, including I Want to Talk (2024) and Be Happy (2025). Under Madhumita’s thoughtful direction, he delivers one of his most poignant performances.